A successful Los-Angeles-based artist Susan Morrow (played by Amy Adams) is sent a manuscript of a novel by her ex-husband Tony Hastings (Jake Gyllenhaal). The story is one of violent abduction and grips her, causing Susan to recall her earlier brief marriage to Tony and the issues that caused it to fail. As the tale unfolds the plot of the novel starts to have subtle parallels with her former marriage…
A punk-rock band, The Ain’t Rights, aren’t particularly successful, and if they can even get a gig, they still don’t get much of an audience it seems… So when they get a last minute booking somewhere in the Oregon woods to play for a bunch of skinheads, they accept it as it may bring in some cash at least.
Perry (played by Ewan McGregor) is a teacher on holiday in Marrakech with his barrister wife Gail (Naomie Harris). They are dining in a restaurant opposite a boisterous group of Russians, and when Gail has to head off early to take a work call he is invited over for a drink by one of the Russians – Dima (Stellan Skarsgard). The Russians are pretty evidently mafiosa, but despite this Perry heads off to a party with them after the restaurant, and agrees to play tennis with his new-found friend Dima the next day, and a further party that night…
Lee Weathers (played by Kate Mara) is a corporate risk assessment analyst, which doesn’t sound a promising job for an action thriller until you realise that this is Hollywood, where considerable latitude to is given to job descriptions in big companies. She is tasked by her boss (played by Brian Cox) to investigate unsettling events at an isolated scientific laboratory where Dr Simon Ziegler (Toby Jones) and Dr Lui Cheng (Michelle Yeoh) and running an experiment into creating artificial life.
Three teenage kids break into a house in a desolate part of Detroit, where they believe they will find a safe full of money. Rocky (Jane Levy) hopes this money will give her a way out of her desperate home situation; and Alex (Dylan Minette) is nurturing his not-so-secret crush on Rocky; and Money (Daniel Zovatto) is in it, well, for the money. This should be an easy target: Dylan steals the house keys from his father’s security business, and the home owner is a blind man…
When you watch a movie like this, you cannot help but think that New Zealand must be full of small towns with frustrated people with limited experience of the world beyond – and they don’t really understand their immediate environment either as that seems to be filled with unspeakable family secrets and other skeletons… Luckily, that can make for an interesting movie.
How would you expect a woman to deal with being brutally raped? Undoubtedly there are many feasible scenarios – some more predictable than others. The one that Elle presents probably isn’t one you would have come up with. Paul Verhoeven returns to the essence of his earliest international success with Basic Instinct (1992): provoking the audience with female sexual exploration beyond boundaries most directors wouldn’t venture.
Reinhard Heydrich was Hitler’s third highest ranking officer, who had earned himself nicknames such as the Butcher of Prague and the Blond Beast. The Czech government was in exile in London at the time, and they sanctioned Operation Anthropoid: to assassinate this animal in Human Form.
The “Girl on The Train”, Rachel, played by Emily Blunt, takes a commuter train each day into Manhattan and back. The train pauses in its journey opposite a house where she sees a seemingly perfect couple, Scott and Megan. Rachel, an aspiring artist, sketches the beautiful Megan (Haley Bennett) from her vantage point of the train carriage.
I can’t say the idea of a Korean horror movie automatically puts a film very high on my viewing list; I have seen enough Korean movies to have learnt that they can have a certain je ne sais quoi though: a kind of wacky weirdness that if, a fairly big if…, but if it clicks, it works. The Wailing is one of those.