In this remake of the 2014 Israeli original, Maggy Gyllenhaal plays the titular Kindergarten Teacher, Lisa Spinelli, a 40-year old woman bored with her day to day life and her uninspiring family. One day after class, one of her pupils, 5 year old Jimmy Roy (Parker Sevak), paces around the room and almost robotically mumbles out a seemingly random few lines, which Lisa recognises as a beautiful poem. She sets out on a mission to help him develop his talent, to obsessive extremes…
The story of Outlaw King sort of picks up where the most famous movie about the Wars for Scottish Independence ended: Mel Gibson was William Wallace in Braveheart, and in the Outlaw King we only see some of Wallace’s bodily remains as a catalyst for renewed energy to fight off the English. Outlaw King tells the story of Robert the Bruce (Chris Pine), the self-proclaimed King of the Scots who waged the continuation of the war for independence against King Edward I (Stephen Dillane) and especially his son Prince Edward (Billy Howle).
If you think of Crazy Rich Asians as My Big Fat Chinese Wedding you sort of get the picture. Take a handful of Chinese ‘deep’ cultural values of ‘Tradition’ and ‘Family’ and ‘Honour’ and juxtapose these with the American ‘shallow’ belief in ‘Follow Your Passion’; then add insane amounts of money, old and new, and you have the basis for the bananas plot.
Annie (Rose Byrne) lives with her boyfriend Duncan (Chris O’Dowd) and they find themselves in a deep rut, something she sort of know but lacks the chutzpah to do anything about, and something he seems too self-obsessed to realise. Actually, Duncan is obsessed with someone else: Tucker Crowe, an obscure American rocker who disappeared in the middle of a gig sometime in the 90s.
We all know who the First Man on the moon was. Well, we all know his name, but we don’t know much about the man himself. It is of course a fascinating story, and the movie is exciting in all its air- and spaceborne scenes – being in the ‘tin’ alongside the pilots and astronauts are thrilling experiences and make you reflect on the fact that the risk taking to be ‘first’ was immense.
More Zombies….?! Yup. We find ourselves in yet another scenario of some mysterious global pandemic that has infected almost all people and turned them into aggressive flesh eaters, but wait, there’s hope: not everyone is infected just yet, and some people even turn out to be immune, so together with the army they are working to find a cure. Thank god for that. Now if only they can find Patient Zero – then they can create the anti-viral strain that will surely prove to be able to save mankind.
We meet Will (Ben Foster) and his 13-year old daughter Tom (Thomasin McKenzie) as they are camping in a park near Portland, Oregon. They are both clearly comfortable in the woods, and also with each other. They forage for food, make campfires, and practice drills to keep out of sight of prying eyes. As viewers, we soon figure out that they are not on a camping trip – this is in fact where and how they live.
Frank (Nick Offerman) owns a small record shop in Brooklyn selling good ol’ vinyl, and is the widowed father of Sam (Kiersey Clemons). Sam is keen to start her pre-med studies in California soon, but Frank has music on his mind and tries to get Sam to jam with him. Sam has a blossoming love for her girlfriend Rose, which inspires her to write, and when she does jam with Frank they create a great tune. Frank is so excited he uploads it to Spotify and they end up on the New Indie Playlist.
A key part of the success of 2015’s Sicario was Emily Blunt’s role, which provided a moral balance to the hard-hitting story. Her character does not return in Sicario: Day of the Soldado; the main reason for this, according the director Stefano Sollima, was that they explicitly did not want this sequel to have a moral compass. Unfortunately, it turns out that is exactly what makes this movie nowhere near as interesting as its predecessor.
The zombie genre is certainly alive and well these days. So how do you make another movie about the undead that has something new to offer? Actually, a lot of recent zombie movies aren’t about undead raising from the grave – most of them have some kind of disease as the background to people ‘turning’. The same applies to the zombies in Cargo, but it has two elements that do make it stand out: firstly it is a human story rather than a gore fest; and secondly it is set in the Australian outback.