The zombie genre is certainly alive and well these days. So how do you make another movie about the undead that has something new to offer? Actually, a lot of recent zombie movies aren’t about undead raising from the grave – most of them have some kind of disease as the background to people ‘turning’. The same applies to the zombies in Cargo, but it has two elements that do make it stand out: firstly it is a human story rather than a gore fest; and secondly it is set in the Australian outback.
What a pleasant surprise. A third instalment in a blockbuster franchise remake that actually holds up to the original. I would even say that of all nine Planet of the Apes movies and remakes (yes, I have seen all of them…), this one ranks as number 2, second only to the 1968 original.
Whilst Brandon Fraser has all but disappeared from the big screen, his legacy of The Mummy franchise lives on – and now even gets a reboot with none other than Tom Cruise following in his footsteps. The original series is known for its outright silliness, and this update tries to keep some of that whilst at the same time taking a slightly darker approach: suitable at least in name, as it is the first movie in Universal’s so-called ‘Dark Universe’.
This first movie in this new wizarding world (there are four more to come) is set in the past in relation to the Harry Potter movies. In 1920s New York to be exact. A lot of the movie therefore is spent on creating this new world and setting out the origins of this entirely new storyline. And it is a lovingly crafted world with lots of fantastic creatures, but unfortunately, it lacks an interesting plot and worse in view of four more movies in the pipeline, it lacks an interesting central character.
A giant starship is on a century-long journey to a recently colonised planet, carrying five thousand colonists plus crew in suspended animation. The ship is highly advanced and is self-repairing and self navigating, so no human crew are required; this ship’s complement will be woken when the ship nears its destination. The film opens when one of them, an engineer called Jim (Chris Pratt) is awakened from his sleep, and quickly discovers that he is not only the only one awake but that there are still ninety years left in the journey. Needless to say, this is unwelcome news…
Ricky Baker gets sent off to live on a farm as his last chance before being sent to juvie prison. New Zealand Child Services take him to live with new foster parents – ‘aunty’ Bella (Rima Te Wiata) and ‘uncle’ Hector (Sam Neill); Bella is the patient one with boundless love for the little boy and Hec is the grumpy one who hates the world and everyone in it. Just as it appears Ricky may sort of be settling in, things go wrong and Hec and Ricky end up on the run together through the New Zealand wilderness…
I saw the first Now You See Me movie on a plane and was pleasantly suprised. Sure it was a bit silly but it was also just good fun and had a cast-with-chemistry and enough plot to keep you interested. A bit of a guilty pleasure if you will.
Now You See Me 2 brings more of everything – more action, more plot, more twists, and a couple new characters.
Remaking a classic is always risky. It’s inevitable that people will compare the new version with the original, and often find the original better: if the original wasn’t any good it probably wouldn’t have been a classic to begin with, and some rose-tinted nostalgia may also come into play.
The new Jungle Book puts the original story in a new cover, in more ways than one.
Firstly, it is not an animation but a live action movie. Secondly, the atmosphere is decidedly darker throughout.
It is twenty years since the aliens attacked our planet and were defeated by a cunning combination of Jeff Goldblum, a heroic pilot and the invaders’ dazzling inability naivety about the basic concept of a computer firewall. It turns out that a distress call was sent out into deep space and now they’re back, presumably having fully assimilated the sacred text “PC Security for Dummies”. The human race has been busy in the interim…
A seemingly estranged father (Michael Shannon) appears to kidnap his own son from what turns out to be a cult and takes him on the road… But why? And where are they going? And why was the boy revered by this cult?
The details slowly emerge as the chase progresses and we learn more about the boy, Alton, and certain powers he seems to posess. But we never quite understand them, and the director (Jeff Nichols) keeps playing with the audience’s understanding of what may be going on.