When Jimmy is made redundant from his tunnelling job and needs money quickly to hire a lawyer to help him with a custody dispute over his young daughter Sadie, he comes up with a scheme to rob the cash-rich vault of the nearby Nascar racing track where he has been working. To access the safe they need the skills of Joe Bang (played by Daniel Craig), who is currently incarcerated in the local prison, who brings into the gang his redneck brothers, who are no criminal masterminds.
Wind River is no Hollywood crime thriller. The plot has some genuinely unexpected turns and the acting is fine, but the star is really the mountain landscape, which is striking beautiful yet clearly dangerous. As the main character says: “Luck is for those in the city; here you either survive or surrender.”
Director Christoper Nolan lets us experience ‘Dunkirk’ by means of three storylines: one on land, one in the air, and one on the sea. With dialogue being minimal, it is all about the combination of visuals and Hans Zimmer’s nerve-wracking score to tell the story. And that works very well.
What a pleasant surprise. A third instalment in a blockbuster franchise remake that actually holds up to the original. I would even say that of all nine Planet of the Apes movies and remakes (yes, I have seen all of them…), this one ranks as number 2, second only to the 1968 original.
English director Edgar Wright’s latest and most successful film to date is Baby Driver, which plays fairly straight as a heist movie. Ansel Elgort plays the eponymous “Baby”, a youthful, introverted but preternaturally talented getaway driver who works for criminal big-shot “Doc” (a sauve but occasionally menacing Kevin Spacey), who plans assorted bank robberies and recruits a revolving gang of thugs to carry them out, always with Baby as the driver…
Whilst Brandon Fraser has all but disappeared from the big screen, his legacy of The Mummy franchise lives on – and now even gets a reboot with none other than Tom Cruise following in his footsteps. The original series is known for its outright silliness, and this update tries to keep some of that whilst at the same time taking a slightly darker approach: suitable at least in name, as it is the first movie in Universal’s so-called ‘Dark Universe’.
Do we really need another re-telling of the King Arthur Legend? Apparently the studio was pretty convinced about it, as this version was given a budget of $175m. What do we get for that? Well first of all we don’t really get a re-telling, rather Guy Ritchie’s re-imagining of the story. And we don’t get the whole story – there are ambitions for this to be a new Movie Universe with this first movie being Arthur’s origins story.
This first movie in this new wizarding world (there are four more to come) is set in the past in relation to the Harry Potter movies. In 1920s New York to be exact. A lot of the movie therefore is spent on creating this new world and setting out the origins of this entirely new storyline. And it is a lovingly crafted world with lots of fantastic creatures, but unfortunately, it lacks an interesting plot and worse in view of four more movies in the pipeline, it lacks an interesting central character.
We’ve had Snakes on a Plane, now we have Zombies on a Train! As silly as it sounds, putting Korean zombies on a train works a lot better than those mother-loving snakes on that Monday-to-Friday plane, as a censored Samuel L. Jackson would say.
Never Go Back has very little going for it. With an utterly unremarkable script at the core, and not helped by the directing, cinematography, music or acting, this is a disappointing fail for Cruise, who also produced the movie. Let’s hope he never goes back to Reacher, it’s not worth it.