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The Night Comes for Us

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If you like your martial arts flicks to be ultra gory then The Night Comes for Us is the movie for you. We get dropped straight into the action: when a few villagers have stolen some drugs from the Triad syndicate, the entire village gets wiped out by Ito (Joe Taslim), who is one of the so-called Six Seas: the Triad’s enforcers who are sent to take any measures necessary to keep things under control. For some reason, Ito takes pity on a young girl and decides to spare her – making him now an enemy of the Triad.

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Hurok (Loop)

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Drug dealer Adam is planning to double-cross his boss Dezsõ and make a big hit by fleeing the country with 200 vials of illegally harvested growth hormones. Things of course don’t go as planned and soon Deszõ comes looking for revenge on Adam as he seems to know what he is up to. Hurok is Hungarian for ‘Loop’, and the title gives it away already – as things spiral out of control, Adam somehow finds himself in a time loop and re-lives the same events multiple times.

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Sicario: Day of the Soldado

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A key part of the success of 2015’s Sicario was Emily Blunt’s role, which provided a moral balance to the hard-hitting story. Her character does not return in Sicario: Day of the Soldado; the main reason for this, according the director Stefano Sollima, was that they explicitly did not want this sequel to have a moral compass. Unfortunately, it turns out that is exactly what makes this movie nowhere near as interesting as its predecessor.

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American Animals

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A couple of friends decide to pull of the perfect heist. They are going to steal $12m worth of books from their college library. They watch heist movies and plot the plans, ranging from choosing disguises to organising a fencing deal to get rid of the loot. The movie echoes titbits of Heist classics ranging from Ocean’s 11 to Catch Me If You Can to Reservoir Dogs.

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Three Billboards Outside Ebbing, Missouri

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Mildred Hayes’ teenage daughter was recently raped and murdered in the small town of Ebbing, Missouri. She now brings up her son alone and becomes frustrated at the local police department’s lack of progress into the investigation of her daughter’s brutal death. Spotting a trio of unused roadside billboards on a quiet road in the town, she hits on the idea of renting them and keeping the case in the public eye by using advertisements to accuse local chief of police chief of neglecting the investigation.

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Murder on the Orient Express

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The best thing about this movie is the opening scene. We meet Hercule Poirot and his unique personality, and moustache in the middle of avoiding a religious war at Jerusalem’s Wailing Wall, and things are off to a great start. The story flows and so does the action, and before we know it, we find ourselves along with Poirot on the Orient Express from Istanbul to London.

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Logan Lucky

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When Jimmy is made redundant from his tunnelling job and needs money quickly to hire a lawyer to help him with a custody dispute over his young daughter Sadie, he comes up with a scheme to rob the cash-rich vault of the nearby Nascar racing track where he has been working. To access the safe they need the skills of Joe Bang (played by Daniel Craig), who is currently incarcerated in the local prison, who brings into the gang his redneck brothers, who are no criminal masterminds.

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Wind River

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Wind River is no Hollywood crime thriller. The plot has some genuinely unexpected turns and the acting is fine, but the star is really the mountain landscape, which is striking beautiful yet clearly dangerous. As the main character says: “Luck is for those in the city; here you either survive or surrender.”

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Baby Driver

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English director Edgar Wright’s latest and most successful film to date is Baby Driver, which plays fairly straight as a heist movie. Ansel Elgort plays the eponymous “Baby”, a youthful, introverted but preternaturally talented getaway driver who works for criminal big-shot “Doc” (a sauve but occasionally menacing Kevin Spacey), who plans assorted bank robberies and recruits a revolving gang of thugs to carry them out, always with Baby as the driver…

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The Accountant

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You can envision the pitch to the studio now: “like Jason Bourne, but with an autistic accountant.” It is tough to make an engaging movie about autism without Dustin Hoffmann, more so about an accountant. So it is fortunate that the main character is a dab hand at martial arts and high calibre weapons as well as being a whiz with figures.

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