A movie poster headlining Scorsese, De Niro, Pacino, and Pesci means you instantly know you are in for a mobster movie. How different from other mafia movies it is though. Instead of a thrill ride or glorification, we experience the mundanity, if you will, of everyday violence, murder, extortion, bribery, fraud and a variety of other felonies through the eyes and memories of the Irishman. A character study reflecting on life and loyalties, loss and loneliness, and pain and penance.
The financial crisis of the late 2000s has reinvigorated the ‘financial thriller’ genre, and Equity brings a new perspective to this: it is an all-female film – from actresses to director to producers. Yet it is not a very feminist movie; other than claims like ‘it is ok for women to like money too’, the female angle isn’t overplayed in the storyline. This would be a strength if the plot was strong in its own right, but as it isn’t, the movie lacks a bit of a point to make.