Director Christoper Nolan lets us experience ‘Dunkirk’ by means of three storylines: one on land, one in the air, and one on the sea. With dialogue being minimal, it is all about the combination of visuals and Hans Zimmer’s nerve-wracking score to tell the story. And that works very well.
In the depths of the cold war a Russian agent Rudolf Abel (actually a KGB colonel called Vilyam Fisher, though the movie does not reveal this), played by Mark Rylance, is arrested. The US bar council asks a prominent attorney called James Donovan (played by Tom Hanks), who made his name at the Nuremberg Trials but now works in Insurance, to take on the role of defending Abel – they want American justice to be seen to be done before Abel is inevitably convicted and possibly executed.