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Baby Driver

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English director Edgar Wright’s latest and most successful film to date is Baby Driver, which plays fairly straight as a heist movie. Ansel Elgort plays the eponymous “Baby”, a youthful, introverted but preternaturally talented getaway driver who works for criminal big-shot “Doc” (a sauve but occasionally menacing Kevin Spacey), who plans assorted bank robberies and recruits a revolving gang of thugs to carry them out, always with Baby as the driver…

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The Mummy

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Whilst Brandon Fraser has all but disappeared from the big screen, his legacy of The Mummy franchise lives on – and now even gets a reboot with none other than Tom Cruise following in his footsteps. The original series is known for its outright silliness, and this update tries to keep some of that whilst at the same time taking a slightly darker approach: suitable at least in name, as it is the first movie in Universal’s so-called ‘Dark Universe’.

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Miss Sloane

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Elizabeth Sloane is a high-powered Washington political lobbyist at the top of her game, but makes a surprise career move when presented with the chance to take on the gun lobby on a bill to enforce background checks for all on gun buyers. Does she really believe in the cause, or is she simply intrigued by the challenge of “winning big, bigger than I ever have before”, despite the formidable opposition of the well-funded gun lobby…

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Life

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Scientists on the International Space Station are bringing back a sample from Mars, which turns out to contain -indeed- Life. I starts out as a single celled organism, but it doesn’t take long for it to grow into a complex creature. Not surprisingly, as it grows and develops, it turns out not to be too friendly and soon this newly hailed Life form becomes a threat to all on board, and beyond…

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Alien: Covenant

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Ridley Scott returned to the Alien franchise that he started with “Prometheus” (2012), a prequel to the original movie “Alien” (1979). Covenant takes up the story at the end of Prometheus, with a spaceship full of human colonists in stasis en route to an alien planet; a small crew is also in stasis and the ship is run by its computer and an android, Walter. An incident forces Walter to wake the crew early into the journey, and a signal is detected that may be of human origin from a nearby planet. When the crew land on the planet they discover the relics of a dead civilisation and some familiar life forms…

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Uncanny

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The more a robot looks like a real human, the more empathy most people have for it. If a robot becomes almost ‘real’ in its looks, movements and interactions, many people suddenly experience a huge drop in empathy where it can even flip to extreme dislike – this stage of human replicas being almost truly lifelike, but not quite right, is known is the Uncanny Valley.

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Regression

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Ethan Hawke takes on the role of Bruce Kenner, a detective in small town Minnesota who investigates a case of serious child abuse. The victim, Angela (Emma Watson), isn’t quite ready to speak to him as she is hiding out at the local priest’s home. Slowly more details emerge, as Kenner gets help from psychologist Dr Raines (David Thewlis), who uses regression as a tool to unlock hidden memories.

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Get Out

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This is the first feature from actor Jordan Peele, who both wrote and directed it. His acting career has veered between comedy and more serious fare, such as his role in the hard-boiled TV series Fargo. For his debut movie he has chosen horror as the genre, laced with just a touch of comedy to relieve the tension. Overall this is a terrific film, certainly one of the best, and most thoughtful, horror films to appear in the last few years.

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The Accountant

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You can envision the pitch to the studio now: “like Jason Bourne, but with an autistic accountant.” It is tough to make an engaging movie about autism without Dustin Hoffmann, more so about an accountant. So it is fortunate that the main character is a dab hand at martial arts and high calibre weapons as well as being a whiz with figures.

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Train to Busan

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We’ve had Snakes on a Plane, now we have Zombies on a Train! As silly as it sounds, putting Korean zombies on a train works a lot better than those mother-loving snakes on that Monday-to-Friday plane, as a censored Samuel L. Jackson would say.

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