Stephen King’s story about a supernatural clown preying on children in a small town is updated from the 1950s to 1988. This is certainly a superior horror film, and one that finally does justice to a Stephen King story.
Whilst Brandon Fraser has all but disappeared from the big screen, his legacy of The Mummy franchise lives on – and now even gets a reboot with none other than Tom Cruise following in his footsteps. The original series is known for its outright silliness, and this update tries to keep some of that whilst at the same time taking a slightly darker approach: suitable at least in name, as it is the first movie in Universal’s so-called ‘Dark Universe’.
Scientists on the International Space Station are bringing back a sample from Mars, which turns out to contain -indeed- Life. It starts out as a single celled organism, but it doesn’t take long for it to grow into a complex creature. Not surprisingly, as it grows and develops, it turns out not to be too friendly and soon this newly hailed Life form becomes a threat to all on board, and beyond…
Ridley Scott returned to the Alien franchise that he started with “Prometheus” (2012), a prequel to the original movie “Alien” (1979). Covenant takes up the story at the end of Prometheus, with a spaceship full of human colonists in stasis en route to an alien planet; a small crew is also in stasis and the ship is run by its computer and an android, Walter. An incident forces Walter to wake the crew early into the journey, and a signal is detected that may be of human origin from a nearby planet. When the crew land on the planet they discover the relics of a dead civilisation and some familiar life forms…
This low-budget black and white movie shows off the prodigious directorial talent of Jacques Tourneur, who by this stage had already made the classic “Cat People” (1942) and the haunting “I Walked with a Zombie” (1943). Set in the English countryside, the film begins with the mysterious death of an agitated Professor Harrington (played by Maurice Denham), a psychiatrist who has been investigating paranormal beliefs in some of his patients who practice witchcraft and devil worship.
Ethan Hawke takes on the role of Bruce Kenner, a detective in small town Minnesota who investigates a case of serious child abuse. The victim, Angela (Emma Watson), isn’t quite ready to speak to him as she is hiding out at the local priest’s home. Slowly more details emerge, as Kenner gets help from psychologist Dr Raines (David Thewlis), who uses regression as a tool to unlock hidden memories.
This is the first feature from actor Jordan Peele, who both wrote and directed it. His acting career has veered between comedy and more serious fare, such as his role in the hard-boiled TV series Fargo. For his debut movie he has chosen horror as the genre, laced with just a touch of comedy to relieve the tension. Overall this is a terrific film, certainly one of the best, and most thoughtful, horror films to appear in the last few years.
We’ve had Snakes on a Plane, now we have Zombies on a Train! As silly as it sounds, putting Korean zombies on a train works a lot better than those mother-loving snakes on that Monday-to-Friday plane, as a censored Samuel L. Jackson would say.
A punk-rock band, The Ain’t Rights, aren’t particularly successful, and if they can even get a gig, they still don’t get much of an audience it seems… So when they get a last minute booking somewhere in the Oregon woods to play for a bunch of skinheads, they accept it as it may bring in some cash at least.
Three teenage kids break into a house in a desolate part of Detroit, where they believe they will find a safe full of money. Rocky (Jane Levy) hopes this money will give her a way out of her desperate home situation; and Alex (Dylan Minette) is nurturing his not-so-secret crush on Rocky; and Money (Daniel Zovatto) is in it, well, for the money. This should be an easy target: Dylan steals the house keys from his father’s security business, and the home owner is a blind man…