When Jimmy is made redundant from his tunnelling job and needs money quickly to hire a lawyer to help him with a custody dispute over his young daughter Sadie, he comes up with a scheme to rob the cash-rich vault of the nearby Nascar racing track where he has been working. To access the safe they need the skills of Joe Bang (played by Daniel Craig), who is currently incarcerated in the local prison, who brings into the gang his redneck brothers, who are no criminal masterminds.
Catrin Cole (played by Gemma Arterton) appears married to a handsome but struggling artist/painter Ellis Cole (Jack Huston), and against his wishes decides to get a job in order to shore up the couple’s frail finances. She is hired as a writer to help the established writing team. Catrin is sent to investigate a potentially stirring tale of a pair of twin sisters who take their drink father’s boat to Dunkirk to help in the rescue, and concludes that, despite some serious issues, the material may make a flagship propaganda film.
This is the first feature from actor Jordan Peele, who both wrote and directed it. His acting career has veered between comedy and more serious fare, such as his role in the hard-boiled TV series Fargo. For his debut movie he has chosen horror as the genre, laced with just a touch of comedy to relieve the tension. Overall this is a terrific film, certainly one of the best, and most thoughtful, horror films to appear in the last few years.
A movie about cultures colliding, midlife crises, flailing careers, fear, hope, and love with Tom Hanks heading the cast – sounds like a winner. Unfortunately the major themes get burried deep under the Arabian sand in this mostly bland and uninspired movie.
Ricky Baker gets sent off to live on a farm as his last chance before being sent to juvie prison. New Zealand Child Services take him to live with new foster parents – ‘aunty’ Bella (Rima Te Wiata) and ‘uncle’ Hector (Sam Neill); Bella is the patient one with boundless love for the little boy and Hec is the grumpy one who hates the world and everyone in it. Just as it appears Ricky may sort of be settling in, things go wrong and Hec and Ricky end up on the run together through the New Zealand wilderness…
If you can’t sing, don’t let that stop you from pursuing your dream to be a singer; if you have enough money, you will get to sing wherever you want. Florence Foster Jenkins aims to pay tribute to a woman who couldn’t sing but achieved fame thanks to her devotion to trying anyway; but it is impossible to watch this movie without realising that in the end it only succeeds in being a sad and misplaced celebration of the vanity and self-indulgence of the rich and untalented.
What We Do in the Shadows is a documentary (oops, mockumentary) about a group of vampires in Wellington, NZ. It chronicles their lives as flatmates leading up to the annual ball where zombies, werewolves, witches, vampires and other assorted undead and supernatural beings that apparently roam the streets of Wellington get together. It is a very dry and and at times very funny movie.
I saw the first Now You See Me movie on a plane and was pleasantly suprised. Sure it was a bit silly but it was also just good fun and had a cast-with-chemistry and enough plot to keep you interested. A bit of a guilty pleasure if you will.
Now You See Me 2 brings more of everything – more action, more plot, more twists, and a couple new characters.
Woody Allen has now made 51 movies, and so by now we have a rough idea what to expect. In his twilight years his recent movies continue to attract top notch actors, and his ear for conversation remains as sharp as ever. The humour may not these be quite as a laugh put loud funny as in his “early, funny films” as he noted in “Stardust Memories’ but he can still write a good one-liner.
Davis (Jake Gyllenhaal) loses his wife in a car accident in the opening scene of Demolition. As his once seemingly perfect life falls apart, his behaviour becomes more and more erratic. Davis has started writing complaint letters to a vending machine company since one of their machines malfunctioned in the ICU where his wife died. In these letters he discloses personal information – irrelevant for the complaint at hand, but piquing the interest of customer service rep Karen (Naomi Watts). Karen tracks him down and they connect.